The Underground Railroad was not really a railroad, nor was it always underground. It was an informal network of people and hiding places that helped slaves escape the American South. It extended from the South into the northern states, Canada, the western frontier, and even Cuba and the Caribbean. This documentary remembers the people, white and black, famous and almost-forgotten, who risked their fortunes and even their lives to resist the unjust institution of slavery.

An African American escapes to Canada along the Underground Railroad.

Man Soo (Kang-woo Kim) is a train conductor. Everyday he performs the same old routines, and gradually his days begin to feel as uneventful and predictable as the ongoing rotation of the wheels on his train. One day, his train gets caught in a messy accident involving a passenger's suicide, and he is forced to take leave from work. He gets on the last train. Hanna (Tae-yeong Son) is an attractive college instructor who is having an affair with a married professor. Her world is turned upside down when his wife confronts her. Abandoned and betrayed by her lover, Hanna is forced to face her own demons. She quits her job, and hops onto the last train. A train conductor and a college instructor seem to share nothing in common. But for Man Soo and Hanna, brought together by fate, finding solace in the companion of a stranger has never been better.

An up close and personal look into the notorious yet underground Gathering of the Juggalos, an annual festival of music, wrestling, debauchery and kinship hosted by Insane Clown Posse & Psychopathic Records.

An up close and personal look into the notorious yet underground Gathering of the Juggalos, an annual festival of music, wrestling, debauchery and kinship hosted by Insane Clown Posse & Psychopathic Records.

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1870's America. A Chinese immigrant falsely accused of murdering a white woman is viciously hunted down; he'll have to prove his innocence in a time when people of color had "no legal rights" and could be bought and sold for a profit. Railroad to Hell: A Chinaman's Chance explores the exploitation of Chinese workers during the building of American railroads. The workers not only spent long hours, but the work was often dangerous and fatal. The Chinaman is a fugitive on the run, and all odds are against him. While stealing a horse was a hanging offense in the Old West, our fugitive knows that killing a Chinaman is not a crime.

Mr. Conductor's supply of magic gold dust, which allows him to travel between Shining Time and Thomas's island, is critically low. Unfortunately, he doesn't know how to get more. Meanwhile, Thomas is fending off attacks by the nasty diesel engines. Getting more gold dust will require help from Mr. C's slacker cousin, his new friend Lily and her morose grandfather, plus the secret engine.

This is the tale of John Henry. The one from the railroad story. Legend goes that John Henry was a freed slave. John took his only son out looking for work. He was out to make a new life for himself. He heard somethin’ about railroad work needing to be done. So that’s where he went. But trouble was just around the bend.

The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.