The Underground Railroad was not really a railroad, nor was it always underground. It was an informal network of people and hiding places that helped slaves escape the American South. It extended from the South into the northern states, Canada, the western frontier, and even Cuba and the Caribbean. This documentary remembers the people, white and black, famous and almost-forgotten, who risked their fortunes and even their lives to resist the unjust institution of slavery.

Man Soo (Kang-woo Kim) is a train conductor. Everyday he performs the same old routines, and gradually his days begin to feel as uneventful and predictable as the ongoing rotation of the wheels on his train. One day, his train gets caught in a messy accident involving a passenger's suicide, and he is forced to take leave from work. He gets on the last train. Hanna (Tae-yeong Son) is an attractive college instructor who is having an affair with a married professor. Her world is turned upside down when his wife confronts her. Abandoned and betrayed by her lover, Hanna is forced to face her own demons. She quits her job, and hops onto the last train. A train conductor and a college instructor seem to share nothing in common. But for Man Soo and Hanna, brought together by fate, finding solace in the companion of a stranger has never been better.

An up close and personal look into the notorious yet underground Gathering of the Juggalos, an annual festival of music, wrestling, debauchery and kinship hosted by Insane Clown Posse & Psychopathic Records.

An up close and personal look into the notorious yet underground Gathering of the Juggalos, an annual festival of music, wrestling, debauchery and kinship hosted by Insane Clown Posse & Psychopathic Records.

The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Part true story, part fiction, King of the Underground is a dark comedy about a frustrated rap artist who goes on an all out murderous killing spree after years of being rejected by the music industry.

Part true story, part fiction, King of the Underground is a dark comedy about a frustrated rap artist who goes on an all out murderous killing spree after years of being rejected by the music industry.

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